Just completed my latest vocal piece called Critical Mass which will be released on the album Nascens in April 2027
Here are the lyrics:
Power did not arrive
As a roar
But as a pressure
In the unseen frequencies
A low, accumulating hum
Beneath the floorboards
Of his mind
Money reached its critical mass
Not a number
But a density
A gravitational collapse
Of consequence
And in that collapse
Something opened
Not a door
Not a wound
A hinge
Inside the skull
A soft click
A quiet permission
Then the extraction began
The organ that once
Generated hesitation
The small regulator
That whispered stop
The filament of empathy
That trembled at suffering
Was lifted out
Like a weightless stone
No blood
No violence
Just subtraction
And the hum continued
Uninterrupted
Unconcerned
As if this removal
Were simply maintenance
On a machine
That had outgrown
Its need
For conscience
Afterward
He walked through the world
With a new geometry
Angles sharper
Edges cleaner
Silence where the soft part
Used to be
People said he changed
But change implies growth
This was erosion
This was hollowing
This was the night
Power reached inside
And took back
What once made him human
And the hum
kept rising
Kept rising
Afterward
He walked through the world
With a new geometry
Angles sharper
Edges cleaner
Silence where the soft part
Used to be
People said he changed
But change implies growth
This was erosion
This was hollowing
This was the night
Power reached inside
And took back
What once made him human
And the hum kept rising
And the hum kept rising
Kept rising
The hum that could end humanity
The hum that could end humanity
An ambient compositional album of intricate colours and shades expounding themes of awe and rapture.
My first foray into AI video production with one of my latest pieces. A glimpse into the future of what's possible and building a strange but satisfying communication with an AI bot. How ironic!
I have just completed my 9th vocal album. 14 tracks covering a wide range of genres including some more accessible commercial pieces that were a lot of fun creating. I am enjoying the diverse technologies that stretch the creative process allowing for chance elements to sway the creative process.
Tracks are available for preview in the discography section.
Gaia, my eighth vocal album, arrives on 18 September. Its creation marks a shift sparked by discovering Ace Studio and SoundID VoiceAI, tools that opened a new way of composing through vocal sketching, spontaneous lyric mapping, and experimental processing using my own voice. What began as an intuitive, largely subconscious exploration has grown into a seamless fusion of ambient space and vocal presence. Gaia is the culmination of that evolution, a work I’m deeply proud of. Sample tracks can be found in the discography section.
As technology evolves, it amazes me how much new potential this creates. With such rich sound libraries, and more and more ways to manipulate sound, I am always discovering, both accidently and intentionally, whole new approaches to creations. Lately, I have been blending (more successfully I believe) both ambient and lyrical grooves through the use of MIDI algorithms and sample libraries. These are acting as sketch pads that I then fill out with lavish textures and rhythms. It has lead me into the world of Hip-hop through the lens of world music and provided the perfect medium for both guitar and ambient experimentations. On the soon to be release album 'Ambient Waters', the track 'Bender' is an example of such merging. I look forward to sharing these current trends with you all. Any feedback is most welcome.